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Winning Poems for February 2009 First Place This month's winners, oddly enough, all have something to do with sound and song and the process of seeing. The subjects travel synaesthetically. The first place winner, "Mondegreen" is a raucous wonderful rant that reads a little like a Philip Levine poem with a Barbara Hamby and Andre Breton flourish: it is a seeming narrative which picks up momentum and makes sudden surrealist lyrical turns as it moves forward "like all things that won't be held captive." It's a wild, dark-humor ride in a rowboat on the ocean with no oars! --Elena Karina Byrne Second Place Our second place winner "Virginia Sings Back To The Stones In Her Pockets" reminds us of what Poet Laureate Stanely Kunitz said about poetry being ultimately mythology, creating a self we can bear to live and die with. We then might also find metaphor (whose Latin origin means to carry-over), especially extended metaphor, translating experience to reenact the "last sweet songs" of who we are. In this haunting poem, the odd "details" blur between dream and reality, where stones are "faithful as vowels," in the mouth of the imagination. --Elena Karina Byrne Third Place This third place poem crosses its own tightrope in a "figurative corner" of the mind. It's a compelling example of how art averts its subject matter. The psychology becomes an essential part of the material: as a writer struggles, a metaphysical angel/Gregor Samsa "creature must emerge" and its the unfolding process of discovery, of creation, which involves the maker, the maker standing back watching himself/herself, and the other unseen viewer, in a triad of perception. Yes, this marvelous "universe expands a bit" as we read it. --Elena Karina Byrne |
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