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Winning Poems for April 2008
Judge Patricia Smith



A Second Look at Creation
by Sergio Lima Facchini Poets.org Every biped, crawler and slitherer; every daybreak fast-forwarding past the solstice; every afternoon that loses momentum as it plods into evening; every child born logical and cerebral, proud to be gifted, bright as Andromeda and Cassiopeia; every planet in the universe, comets, black holes, their combined gravitational pull, pulling on each of the five known elements: earth, water, fire, air, and yellowing passion fruit; every pediment, apse, nave, narthex, effigy, oracle, pyramid, every all-seeing eye; every crease and whorl on a palm; every hand that holds money and is diligent, hard-working, closed to commitments; all of those, along with matches, hydraulic presses, arguments, salt water, and the admirable number pi, took long, sweeping strokes to be made, one by one, as God was going through multiple life crises, barely surviving each brainstorm. How many times he's come back from the brink of losing face, such as when in the midst of a heated debate over who made what and to what purpose, a sudden gust of wind blew off his skullcap, exposing a bald spot high in the crown. But for the most part he's feeling good; he's glad it's spring even if it means he must restart from scratch, trying to convince things buried and burrowed to come back up, saying tongue-in-cheek it will be different this time. Spring Dance by Brenda Levy Tate Criticalpoet.com Route 22 ripples to an axle beat as the red pickup approaches. Puddles pulse, wheels veer, water arcs like a tide parting before the F-150's tire hiss. Beer cans snicker beneath ice-wire-wink. Sleet coats cables, gone by noon. Pavement's a mosaic – broken headlights, embedded pennies. Mouse bones crunch under Goodyear studs. First tractor out of the yard wallows with a pulmonary wheeze in muck stubble. Field's black, twisted as abandoned shirts. An old collie three-legs it down the chain track because that's what he was born to do. In a heifer-gnawed grove behind the loafing shed, deer scrabble snow crust under bare oaks; limbs scratch cloudskins. Mated robins drop sky bits onto dull moss. New melt trinkles and plishes off the gambrel-roof barn. On the porch step, farmboy smooths his trout filament between forefinger and thumb, feeds it into the Shakespeare with a handful of hope. The day flows around him -- river and rock --while mother sings from her clothesline, "Fare thee well, love," hazel gaze a salamandrine fire that burns what it touches. He listens, furrows deep as plowed dirt above his eyes; matches reel spin to wash-pulley creak. Milkroom radio chatters about foreclosures, lost soldiers and protests against a mine two counties away. Fishhook snags the little fellow's thumb. Long driveway rasps its monotone; gravel shoulders shrug still-frozen clods into ditches. Muddy Ford swerves, bumps over brushcut lawn, halts beside a lattice arbor where rambling roses will soon explode like ruptured hearts. Woman-song stops. She turns - sliced lemon smile - carries her laundry basket, sets it down carefully. Then she straightens to confront the truck, but won't glance at her son. Not even once. Out on bleeding earth, her husband inhales the dark diesel, whistles off-key. "This will be no ordinary April," he assures his crippled dog. Boy, Winter 2008 by Mike LaForge Criticalpoet.com You can't hear my voice, thousands of hands away, smoke-shred and husky, broken as knuckles. Boy, I've punched through pine and ribs, shouted down the black mountain, bled on concrete, stone and shoals of snowy paper. Today, there's a screw- topped winter in my backpack, made of glass. I sip from it when your telephoned voice cuts me backward to your first clear word, your first poor Christmas. I don't forget how your new fingers gripped my wrinkled shirt, your birth-scars, your fear of water and the loud sound. My hands wring circles around this cold green bottle while your hands shape crooked snowmen, frozen daddies. Warm, they reach and touch your mother's face. Soon, and I'll be there, you'll hoist your own pack, my boy, strike hard into a greening world. 18--Again by Cherryl E. Garner South Carolina Writers Workshop Big-lipped mincing -- mind's eye -- that perfect Brown Sugar bass boot thump at the light -- only my plasticchrome volume button on the stock FM, black toggles, turned me, 18-up. Only cross winds in car cabin, blue-shine Chevy, carried best shrilly teeny angst, atomic-rocket wrench, the turn of menses into red power in free air and wild, skin-pocked riot.

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